SF/F, sociology, some recipes. Updates every other Friday.

Category: stories (Page 1 of 4)

Persephone’s Gate (Prologue)

This is the [first draft] opening of my new novella, a queer space pirate romance I’m worktitling Persephone’s Gate. Along with the title, it will probably undergo changes before publication, but until then…enjoy!


Zara Krauss-Kusnadi, station-born and -bred, awoke with the first realization anyone station-born and -bred would notice.

There was gravity. And it hurt.

“Ugh…” She groaned, laying one olive hand to her brow.

There was gravity. She was at the bottom of a gravity well – so a planet or a moon, not a ship or station.

There was heat. She was soaked in sweat, great drops of it sliding toward the gravity well that held her fast to the ground.

There was ground, and the earthy clay smell joined the scent of rancid sweat and pickled spacer that Zara herself exuded.

There was a pain in her head, over and above the weight of gravity over every inch of her body, something that throbbed.

“Ugh…” Zara repeated.

She dared open her eyes. Overhead, beyond the purple sky, a blue-brown planet with delicate cumulous curls in its atmosphere hung ominously, as if it would fall on her.

That…that’s Kopol… She thought.

Which meant she was on Kachhuapur, Kopol’s second moon. Still on Kachhuapur. But what was she doing sleeping outside, in the tall grass of Kachhuapur’s steppes?

What did I do last night?

She’d been…Ellis was there, Ellis Nnamdi-Divekar, and Louis and Sarai and Martian Mei and some of the others from the Fujiwara-maru…Ellis had looked amazing in Centauri silks, so daring…they drank toasts…God, how many?…they were celebrating…celebrating what?…

In front of her eyes, a streak formed across the sky. From her point of view, it looked like a light that sliced Kopol in two. She winced, closing her eyes again, trying to remember.

…they were celebrating a new enlistment…yeah…they’d signed articles yesterday afternoon on a Southern Cross interstellar…their last night on Kachhuapur before…

Zara’s eyes snapped open, big and brown and stone-cold sober.

That light. The one streaking across the sky. Big star bound, away from Kachhuapur, out of Kopol’s orbit, heading for the hyperspace barrier to catch the outbound startide.

Zara scrambled to her feet, as if her 1.8m could bring her meaningfully closer to the spaceship racing overhead.

Somehow, Zara knew that that very light, that very ship, was the Revenge, that Louis and Sarai and Martian Mei…and Ellis…were passing before her eyes right at that moment.

She watched it break free of Kachhuapur’s atmo, a shooting star in reverse, and sail off behind Kopol’s massive planetary bulk.

Leaving her.

Alone.

In the tall grasses of the Kachhuapur steppe.

She stared into the sky for a long time, throbbing head and dragging gravity forgotten, breathing rattling little breaths. As if by staring, she could still see her shipmates and the promise of plunder and adventure.

At length, she spoke.

“…ugh!

RELEASE DAY! The Night Meeting is here!

The Night Meeting is now available, in ebook and print formats!

The Night Meeting. Cover by Melissa Weiss Mathieu.

“Brilliant and beautifully written, Mathieu’s stories span the ages and blur the lines between past and present, alien and mundane.” – Anthony W. Eichenlaub, author of Not Done Yet: Sci-Fi Stories of Wisdom and Fury

“I was instantly drawn in by the stream of tales, some easy to understand, some confusing by their alien nature.” – William C. Tracy, editor of Space Wizard Science Fantasy

“Mathieu’s narrative voice is so good. His characterization, though, is what really shines though — really burning bright.” – J. D. Mitchell, author of Curse of the Worlds

“Readers of works like The Expanse ought to enjoy this dynamic blend of themes and concepts.” – Austin Conrad/Akhelas, author of To Hunt a God and Treasures of Glorantha

“[T]antalizing realism and teasing bouts of imagination…” – Barbara Swihart Miller, author of The Call of Gold




Two men meet around a campfire at night. For one, it is sweltering summer in the jungle primeval. For the other, it is bitter winter beneath steel skyscrapers. Both men are seers, but they cannot both be true. So which is the dreamer, and which is the dream?

To solve this riddle, they tell the stories of what they have seen – things which were, are, and are yet to come. The two men, over the course of the strange night, share visions from humanity’s last message to the stars to Buddhist beatnik vampires of 1955 San Francisco. These fifteen tales, including five all-new, all-original stories, will thrill you, perplex you, and enlighten you.

If you like classic collections like The Illustrated Man and Glass and Gardens, you will love sitting in on The Night Meeting.

Pre-orders of The Night Meeting now live!

The Night Meeting. By Melissa Weiss Mathieu.

My new anthology, The Night Meeting, coming out May 31, is now available for pre-order on Amazon! This is the first time I’m offering pre-orders here on R. Jean Mathieu’s Innerspace, and not as an exclusive for my patrons or my newsletter subscribers, but The Night Meeting is absolutely worth it.

And in further good news, the reviews are in, and the reviews are glowing:

“Did the Earth burn? Does a creation consume its creator? Does the city of Mazghunah exist if tourists don’t know about it? Can engineers preserve Canadian winter under glass?”

Joe Gremillion, organizer of pen & pier writers’ society

“I was instantly drawn in by the stream of tales, some easy to understand, some confusing by their alien nature.”

william c. tracy, editor of space wizard science fantasy

“Mathieu’s narrative voice is so good. His characterization, though, is what really shines though — really burning bright.”

j. d. mitchell, author of the curse of the worlds

“Readers of works like The Expanse ought to enjoy this dynamic blend of themes and concepts.”

austin conrad/akhelas, author of to hunt a god and treasures of glorantha

“[T]antalizing realism and teasing bouts of imagination…”

barbara swihart miller, author of the Call of Gold

Why wait? Come sit by the fire of The Night Meeting today.

Cover Reveal: The Night Meeting

Cover by Melissa Weiss Mathieu

I’m proud to announce that my new anthology, The Night Meeting, will be coming out May 31 from FedoraArts Press!

Two men meet around a campfire at night. For one, it is sweltering summer in the jungle primeval. For the other, it is bitter winter beneath steel skyscrapers. Both men are seers, but they cannot both be true. So which is the dreamer, and which one the dream?

To solve this riddle, they tell the stories of what they have seen – things which were, are, and are yet to come. The two men, over the course of the strange night, share visions from cities that rise from the sea to humanity’s last message to the stars to Buddhist beatnik vampires of 1955 San Francisco. These seventeen tales, including six all-new, all-original stories, will thrill you, perplex you, and enlighten you.

If you like classic collections like The Illustrated Man and Glass and Gardens, you will love sitting in on The Night Meeting.

This is a project years in the making – a collection of all my favorite short stories (and yours, too). Many of them are old favorites, but five of them, including the title story, have never before been published or seen.

Melissa’s cover, in its idiosyncratic and handmade design, is the perfect, arresting image for this anthology. You can’t mistake it for anyone else, and certainly not for a gen-AI image.

The Night Meeting comes out on Amazon and Kindle on May 31. With a little luck, it will also be out in print the same day. I’ll see you then.

“Earthball,” by R. Jean Mathieu

Not your traditional sports story, “Earthball” (and Earthball) are all about teamwork and togetherness in a future you might even want to see.

Four floral hands embracing the centered Earth. Cover of "Earthball" by R. Jean Mathieu, cover by Melissa Weiss Mathieu.
Cover by Melissa Weiss Mathieu.

The ball spun perfectly in the middle of the ship’s storm cellar, blue-green, round and full as a living planet, suspended in place, ready for play, pregnant with unspent momentum.

“…HAJIME!” Cried Captain-Grandmother Atsuki.

As one, with cries of kiai, two dozen sprawling bodies launched themselves from every angle, every bulkhead slapped with foot and limb. Two dozen howling spacers hurtling together toward the big round ball, which nearly slipped from grasp from the split-second difference of these hands arriving on its smooth rubber surface just before those hands. But those hands touched the ball, and reestablished something like equilibrium, before the smooth surface slipped again, caught this time in Ensign-Niece Oceanne’s belly, just under her floating ribs. Her loud ‘ouf!’ gave way to the subtle cries and laughter of the game of Earthball, as crew bumped into one another in the frantic, writhing effort to keep the slippery ball in place, far away from any bulkhead whose merest glance would end the game.

On the free trader Kanno-Maru, there are only so many ways to stand out from the crowd of family. Ensign-Niece Kanno Oceanne struggles to find her place on the ship, amidst Kanno family expectations and Kanno family values. She is not quick about her duties, nor is she studious in her schooling. But in the game without teams, only teamwork, the game of Earthball, she has a chance to shine.

If only her father would let her.

When her cousin suggests she switch sides, Oceanne eagerly accepts. Little does she realize that her change of position sets in motion a chain of events that could tear the crew, her family, entirely apart.

For fans of inspirational sports stories (or hippie games), “Earthball” is the only game in town.

“Doutor Compaixão,” by R. Jean Mathieu

This story, “Doutor Compaixão,” came from a challenge from the inestimable Cat Rambo, namely, take the prompt “A Brazilian math teacher proposes marriage to compassion” and make a story of it.


They called him “the beggar who counts.”

They called him a saint.

They called him “Doutor Compaixão.”

But when the pacification police came in heavy gear with shields and guns, they didn’t call him anything. They said they had never seen the man Pedro Sores Canto.

Word had come from Rebeca Itoh Silviera, down in the city at the university, that a raid was coming to the old favela she had escaped. A man inside the police came to visit his parents and give them the remittance and the bribes he won as a policeman the day before, saying that the raid was seeking out the old math teacher who gave lessons and refused reals for it. No, he did not know for what crime. He was a policeman, how was he to know what crime a man was to be arrested for?

Word reached Pedro Sores Canto as he held a chalkboard to his knee, cracked chalk showing the curve of a bell that held the secrets of all the universe, probably. Word came the same way all his payment came, as a butchered chicken or a jug of beer or a whispered word of forgiveness. The children scattered like crows from the stern faces of their mothers, anxious that the man who had freed Rebeca Itoh Silviera should do the same for their children. If the pacification police took him away, who would teach the children to make numbers dance and speak Portuguesa as the rich in the city do?

“Do not worry for me, Senhora de Assis, Senhora Ventura, Senhora Quintana.” He smiled. “Have compassion for yourselves and your children. Keep a close eye on them tomorrow, and remind them to count.”

As he carried home the butchered chicken and the jug of beer and the terrible news, he thought of Alcione. He had come to Cantagalo, first climbed the steep hills between tar-paper and tin, five years before, latest in a string of hidden places that had been his life since her words to him. He wondered what had become of her. Either dead or married, he decided, a cloud of children underfoot like flies in sweltering winter.

Either way, she had long since departed from him. All that was left of her to him were those words:

“You have no compassion.”

Passion he had had. Passion enough that, in the irrational way of very rational men, he had killed her lover. Passion enough to conceal his love until it burst from him, passion enough to confess it to her after the deed was done.

Compassion was something else again, a limit to converge on and never reach. It was not the passion one could have for a woman, for the woman, for Alcione, but a love for her and everyone and everything. It was as particular as the names of Senhora  de Assis and Senhora Ventura and Senhora Quintana and Vitor Ferraz de Avis and Rebeca Itoh Silviera and Alexandre Cubano Sozinho. It was as grand as Sugarloaf Mountain and deep as the Pacific. It was an idea that he, Dr. Pedro Sores Canto, once the brightest young turk in Brazilian mathematics, could not grasp.

As he had lay in shallow ditches outside São Paulo at night, or slapped mosquitos from his skin and calculated his grim odds of survival on elaborate bell curves in the Amazon jungle, or lay awake watching reflected fires in the tin roof of some favela or another, the bitter sting of Alcione’s other words had left, along with her face, and her voice, and so, insensibly, his obsession had moved from her to the idea, compassion, the idea that was to him a nebulous air and an equation to solve and to her an immediate reality to experience.

It was his attempt to solve the equation and to make the nebulous idea concrete and real that had kept him to the favelas. He had learnt the Buddhist mantras and the Catholic prayers and the strange notions of the poor and criminal Evangelicals he had found himself hiding among. Santa Teresa de Kalkota had stayed with the poor for compassion, so, too, would he. He could have hidden from the authorities a dozen other ways, perhaps even returned to academia. But it was safer in the favelas, and it was in the favelas he would finally solve compassion.

His trail had started in São Paulo a murderer, and ended here, at the top of Cantalgo Hill, in the garret of a brick building that smelled always of frying onions and the human drift, a saint. Doutor Compaixão.

Senhora de Assis had said the raid would come tomorrow. Senhora Ventura tonight. Indeterminate. Very well, he could study his chances. 50% chance they would come tonight, 50% tomorrow. He need only play the probabilities, what his students and their fathers called gambling.

“Senhora Preto, I must leave tonight,” he told the elderly landlady smoking her hand-rolled at the living room table. “Please tell any visitors I have already gone.”

Senhora Preto nodded, exhaling a little puff. He was not the first tenant to leave suddenly as rumors of another raid swirled around the streets and markets and living room tables. She approved of his good manners in announcing it beforehand, though. It spoke to good breeding.

He climbed the stairs to his garret for the last time. There was not much to pack. Only a few shirts, another pair of pants, the hundred-year-old calculus textbook that Jorge Figueiredo Boaventura’s father had given him many years before, before Jorge had broken his leg and died. Poor child, almost a man, and then…

Pedro Sores Canto sighed. Jorge had died three years before, and all Pedro could rouse in his heart was regret that such a promising mind had been snuffed out like a candle. He muttered prayers for him, but there was no heart in it.

Still, it was nearly fifteen years since Arthur Castilho Nakata had died under his hand and Alcione had left his life forever. Still his death-rattle and her compassion animated him. And he had remembered Jorge’s name, and said prayers for him. He converged on compassion…

The startled cry of Senhora Preto jarred him from his meditations. The pacification police moved fast these days, lightning war, not like the old days. That they would arrive so soon was more than three standard deviations from the mean, less than 0.16% likely. He did not have to look out the tiny window to know that the house was surrounded, that there was no more running for him unless he sprout wings and fly. He would be taken, and tried, and, in the end, executed. Perhaps Alcione would appear, after all these years, to testify against him.

A second cry, from Senhora Preto, stabbing through the shouts and buffets and bullets of the pacification police. It was a cry of pain. Pedro Sores Canto felt something rise in him, a stone in his throat and a balloon in his mind. Senhora Preto had done nothing to earn whatever the pacification police had done to elicit that cry from her. No more than Jorge Figueiredo Boaventura had deserved to die.

No more than Arthur Castilho Nakata had deserved to die.

The room seemed bathed in light, though only a cheap flashlight flickered feebly. He saw there the faces and names of all the students he had taught, all the parents he had consoled, saw again Alcione’s face as it had been when it had driven him to madness, Arthur’s face in serene repose and free of suffering. He saw faces that he knew were attached to the boots storming up the stairs, the voices screaming guttural cries. He saw his own face. They were all individual and crystal clear, they were all as one.

Alcione would never have married him. She had been right, he had no compassion. And now? Had he approached the apex, converged on the limit at last? Or was his teaching, his kindness, his genius of little pains and remembered names, only a “good-enough” approximation?

This was the last unknown in the equation, the last x to solve for. There was a way to solve it.

The stone in his throat was desire. He desired that they all be free of suffering, sinners and saints both, and especially all the fallen, glorious, troubled, human souls in between. He wished it with his whole body, so hard it ached, heedless of the tramp of boots and the oncoming cries.

Alcione would never have married him, but…

“Compassion,” he asked, sinking to his knees on the bare floor, “will you marry me?”

Something inside him said yes, and he felt himself lift as if on wings.

When the pacification police kicked the thin plywood castoff excuse for a door open, they found only an empty room. In confusion, they dripped into the tiny room. Behind his helmet, Vitor Ferraz de Avis muttered a prayer of thanks to Santa Maria, who in her compassion had liberated old Doutor Compaixão.


Think this story was good? Bad? Just plain weird? Let me know in the comments!

“Doña Ana Lucía Serrano y la Caja de Venuswood,” by R. Jean Mathieu

That’s right. After years of preparation, Doña Ana Lucía Serrano’s first adventure, “Doña Ana Lucía Serrano y la Caja de Venuswood is now available! Get your copy today!

Doña Ana Lucía Serrano y la Caja de Venuswood
Cover design by Melissa Weiss Mathieu. Cover art by Kim Schmidt.

The taste of her goodbye kiss lingered on Doña Ana Lucía’s lips as they threw her over the drumhead.

In this thrilling installment, Doña Ana Lucía Serrano falls into the clutches of interplanetary heiress Anni Talavalakar, whose venuswood box contains a secret that could implicate half the Six Worlds of Earth! But how are the sinister criminal Syndicates involvedBlackmailed by a mysterious figure, Doña Ana Lucía will need all her wits and skill to avoid death by a Syndicate bullet or dishonor over the interplanetary airwaves.

Will she succeed?

Can she succeed?

Find out, in the pages of “Doña Ana Lucía Serrano y la Caja de Venuswood!”

“Scars of Satyagraha,” by R. Jean Mathieu

First time available solo, here’s “Scars of Satyagraha,” originally published in The Future’s So Bright.

Cover by Melissa Weiss Mathieu

Reader reviews:

“Excellent.”

“A touching tale of gender, choice, and, as Mathieu says, ‘mafia movies.'”

Whenever I skin, I go down to one of those Yoruba tattoo parlors and get a cut on my left knee, so it heals into a crescent-shaped scar. I got the original scar from some sharp black-lichen, playing footie out beyond Dangote-dome in the boy’s body I was born with. But I wear the scar now to honor my father, my Babuji, Arjun Chaturvedey. He died for his scars.

As the sun sets on Indo-Nigerian Mars, the red planet’s shadowy alleys come alive with crime and corruption. American crime, and Yankee corruption. But for Sami Chaturvedey, the daughter of an upright Brahmin judge, it’s a romantic and blood-pumping life filled with Old West values and Old West quick-guns.

That all might change for Sami when she meets Michael Cambridge, the paternal and charismatic Lieutenant of Martian organized crime – the Yankee militia.

Sami is torn between her father’s expectations for her to uphold the law and her own desires to explore the gritty world of organized crime. But as she delves deeper into the dangerous underworld, she begins to question everything she thought she knew about justice and truth – about satyagraha.

Will Sami choose the path of righteousness set by her father, or will she succumb to the allure of the Cowboy Code and its promise of power and freedom? As her loyalties are tested and secrets are revealed, Sammy must make the decision that will define who she is.

For fans of Pierce Brown’s Red Rising series, ones who’d like to see a Mars that’s a little brighter and a little nobler, “Scars of Satyagraha” will suit them like a fresh new skin. Don’t miss out on this visionary read – get it today!

“Archives,” R. Jean Mathieu

“How are you today, Mr. Gedde?” The archivist asked. The old man in a box turned toward the sound with liquefied eyes.

“Who’re you?” He asked. The archivist sat down next to the box, in the warm morning sun coming through Mr. Gedde’s hospital window.

“Still Amir Safavi, Mr. Gedde.” He said, thumbing through his paperback. It was going to be a long visit. “Do you remember when I came in yesterday? We talked about birds.”

The old man in a box let out a hoarse laugh.

“I remember I saw a little brown and grey thing, whistling a pretty tune like a nightingale, this morning on my way to the factory.” He said, smiling. A sunlit memory, a break in the clouds that had settled on Gedde without his knowing God knows how many decades ago.

“I know, Mr. Gedde.” The archivist said. “You came home and told your family about it. They wept for joy when you said it, because it meant you had remembered something.”

And they hadn’t come to see him since. Just the archivist, making his rounds, paid to talk the old bodies and worn-out minds out of their stuck memories. The geriatric drug kept them alive, certainly, but the pseudo-Alzheimer’s still took its nasty toll. The old man frowned.

“Did I?” He said. “I don’t remember that.”

“Didn’t think you would.” The archivist said, finding his page. He wondered who was visiting his grandparents.

“A beautiful sound, rustling paper.” The old man said. “I don’t like the datalinks or the holos, some things are eternal, like books…who needs a holo about formal logic, or of Shakespeare or the Holy Bible? I remember telling Rudy he was a damn fool for buying one of those computer-bibles they had for ten dollars at the dollar store…”

“Would you like to talk about the news, Mr. Gedde?” The archivist asked blandly.

“Why bother? It all just repeats anyway, says the same thing, over and over.” Mr. Gedde said, his wrinkles massing into a scowl.

The archivist looked up, hopeful for just a moment. There was a chance, however slight, that a Rerentol patient would reverse, begin to learn anew, beat back the demon degeneration that ate at all of their minds eventually. A renaissant

Mr. Gedde had seen centuries. If all he could see were those old centuries, like a barely-living exhibit, they’d send him off to the museums. But if he could see the present, as well as the past…

“Once, Jan switched it to the news during…one of the elections…and the man was talking about a new deal, a great society, so I took my shoe and I threw it at the screen…”

The archivist sighed, and went back to his reading.

“I wonder if she’s still sitting and staring out the kitchen door…” The old man wondered aloud. One wizened hand idly twitched at a life support cord.

“Your wife is dead, Mr. Gedde.” The archivist said, looking away from the withered body in the box. He folded his book in his lap.

The silence dragged on. It was almost worse than Mr. Gedde’s endless Grampa Stories.

“I think you might be better off that way.”

Still not a word.

“My wife, I think she’s seeing someone else.” Amir said in a burst. He clapped his knees together around his hands, steadfastly staring at the wall. “My brother. He…we live together, and she and I…it hasn’t been fights so much as we’ve been …living apart, in the same house, if you know that one. She’s going one place, I’m going another, and he seems to be where she’s going. There’s so many times they’re on the couch together watching a holo and I’m sitting off on my seiza cushion reading a book…”

He looked down at the paperback in his hands. He couldn’t make out the title any more, and he couldn’t remember.

“Do you love her?” Mr. Gedde asked.

“…Maria?” Amir said absently, lost in thought. “I…I think I did, once. I … don’t know. Any more.”

“You did love her, or else it wouldn’t hurt so much now.” Mr. Gedde said. “Remember that and hold onto it. You did love her. You’re going to have a hard time through this, whatever you do. But remember, more for yourself than for her, that you were once kind to each other, even if you can never be so again. And if you must go, go. Don’t let convenience stop you.”

Uncontrollably, a memory from her room, when they were just kids, and Maria was laughing and he pulled her close and laughed with her. The archivist and the old man met eye to eye, and the archivist saw a spark there.

“Don’t turn out like me and Jan.” Mr. Gedde said.

The archivist felt a cool prickling across his skin.

Renaissant.” He whispered. The old man blinked, his milky eyes covered over and the spark gone.

“We had three children.” He said. “Did I ever tell you about them?”

The archivist just smiled.

“Yes, Mr. Gedde.”

“Joan and Jay, they live in Ohio.” The old man said. “And Patrick’s a go-getter in New York. We lost Simon in the Iraq war, still don’t know what for, don’t matter anymore…”

The archivist sighed. The process would be slow, and uncertain, and he would have to tell Mr. Gedde many things about 2319, and endure many more Grampa Stories…but Mr. Gedde had seen the present. And that was enough for now.

2023 Year in Review…and Eligibility for 2024

Been a Hell of a year, hasn’t it? Then again, so was the entire Trump administration.

My year opened with a double-embolism and ended with a gout attack. In between came the slow-motion loss of my day job and the resulting chaos bringing my rhythm of writing, editing, mailing, remailing, updating, hustling crashing down around my ears.

But still, we goddamn got things done. My story, “The Voluntolds of America,” hit the shelves in November in the pages of Reclaiming Joy, from WriteHive. I qualified for the SFWA. Lyra turned one. I sat down with Ann LeBlanc and with Ai Jiang. I hosted a panel at the Nebulas. And I published. Not just reprints, either.

Some of them are fresh and eligible for the most prestigious awards in speculative fiction.

Here’s what’s eligible for prizes and awards in 2024 – note them down and write them in. Who knows? We just might win.

I got two Quaker articles published, “A Quaker Rosary” in Western Friend and “A Friend with Taoist Notions” in Friends’ Journal. Western Friend called me back for an interview on their podcast even. One reader reached out about my thoughts on martial arts in the meeting-house, and that article will be coming out in 2024. And that wasn’t the only one – no less than Matt Selznick interviewed me for Sonitotum.

Speaking of podcasts – I launched Solidarity Forever: The History of American Labor, with notes right here on R. Jean’s Mathieu’s Innerspace. This is the soup-to-nuts labor history in this country, the bloodiest labor history in the developed world, from 1619 to 2024 and beyond. And if you don’t like that labor history, go out and make some of your own!

I have Doña Ana Lucía Serrano …to the Future! out under review by agents, I have stories in the mail, and I have a new novel, The Thirty-Sixth Name, a YA Jewish fantasy swashbuckler, open in Word. I have stories to tell, and a voice to be heard.

And, oddly enough, I feel like 2024 will be a pretty good year.


Eligibility: The Voluntolds of America

“Voluntolds of America”

Eligible for: Hugo Award, Nebula Award
Genre: Science Fiction
Subgenre: Solarpunk as fuck
Publication: Reclaiming Joy
Publisher: Inked in Gray LLC
Link: Amazon.com, Goodreads
Category: Short Story
Voted “Most Uncomfortably Relevant” by the people I read it to!


Eligibility: Cambermann’s Painter

“Cambermann’s Painter”

Eligibility: Nebula Award, Hugo Award, Locus Award
Genre: Steampunk
Subgenre: Satire
Publisher: FedoraArts Press
Link: Amazon.com, Goodreads
Category: Flash
Voted “Most Too-Clever-By-Half” by a small collection of randos!


Eligibility: The Man Who Shot Lü Dongbin

“The Man Who Shot Lü Dongbin”

Eligibility: World Fantasy Award, Locus Award, Nebula Award, Hugo Award
Genre: Fantasy
Subgenre: Urban Fantasy
Publisher: FedoraArts Press
Link: Amazon.com, Goodreads
Category: Short Story
Voted “Most Mathieuvian” by my wife!


Eligibility: Fire Marengo

Fire Marengo

Eligibility: Hugo Award, Nebula Award, Locus Award
Genre: Science Fiction
Subgenre: Sea Story/Solarpulp
Publisher: FedoraArts Press
Link: the Innerspace Newsletter (free with signup)
Category: Novelette
Voted “Most Entertaining to Listen To” by several local writers!


Eligibility: Lost Signal

“Lost Signal”

Lost Signal, by R. Jean Mathieu. Cover art by Melissa Weiss Mathieu.

Eligible For: Shirley Jackson Award, Bram Stoker Award
Genre: Horror
Subgenre: Psychological Horror
Publisher: FedoraArts Press
Link: Amazon.com, Goodreads
Category: Short Story
Voted “Most Likely to Make People Listen for Darkness” by one beta-reader!

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