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Category: stories (Page 4 of 4)

Short Stories: “Timekeepers’ Symphony” by Ken Liu

I forgot these sorts of stories ever existed, ever could exist.

Ken Liu needs no introduction – here is the man who translated and advocated for The Three-Body Problem, who showed us paper tigers and dandelion kings, the man who I jokingly referred to as the eight-foot tall invisible giant of Chinese-American science fiction. But the story, the story could use introducing. “Timekeepers’ Symphony” just debuted this September 1, in the pages and electrons of Clarkesworld. It takes just enough time (ha) to make its point, and leaves you to contemplate it for days after. It is the riveting story of…

No one.

There is no protagonist here, no character development that Dostoevsky would recognize. It is a description of approaches to time, on various of humanity’s colony worlds and back on Earth in Hawai’i. How some people live an entire lifetime in an afternoon, others over centuries with a deliberateness and gravity far beyond kings. The troubles of trying to import time from one locale to another. J. Robert Oppenheimer’s contributions to divisions of time. The elaborate timepieces, fast and slow, each world prizes as part of its identity, Earth included. And the harmonious whole of this cacophony, the cosmos underlying the chaos, Earth’s precisely-kept atomic second, the fundamental block of all human timekeeping, wherever in the cosmos it is.

That’s it. That’s the whole story.

And you’ll walk away from it wondering at your watch, and wondering how to import time from your home to your workplace, since they so clearly operate on different clocks.

Clarkesworld, Sept. 1, 2022

Now, if you’ll excuse me, I’m going to go write a tour of various planets’ tea cultures…

Short Stories: “Animale dei Morti” by Nick DiChario

Bonne année à tous!


Hopefully the New Year is treating us all well. One of the things I’d like more of this year is talking about short stories. Outside award season (or major controversies), we don’t talk much about short stories, novellas, and novelettes compared to novels, even when they’re as innovative, or as thought-provoking, or as startling. So, starting this year, I’m going to talk about the short stories I think are cool.

And first up is a fantastic one that had me alternately sighing and bursting out laughing: Nick DiChario‘s “Animale dei Morti,” from this month’s issue of The Magazine of Science Fiction & Fantasy.

I’m clearly not the only one who loved it, since Franco made the cover.

In his introduction, DiChario explained that he wanted to write an “Italian fairy tale,” and the fairy tale notes are all over the work. But this isn’t the Brothers Grimm by a long shot. It’s ribald and funny and clearly delights in the startling details and the imagined squeamish reactions of its listeners. You can clearly imagine, say, Sonny Corleone telling this story, and bursting out laughing at the over-the-top bits. I’d say he did his homework, but DiChario clearly enjoys reading Italian fairy tales the way I enjoy reading Chinese tales, and it makes it a delight to read.

Marco is about to get married to Marianna, the prettiest girl in the Villaggo delle Ombre, when his older brother Franco gets killed. This is a problem for Marco, since family traddition demands the elder brother stand as best man for the younger. It’d be bad luck if Franco weren’t there. So he goes to the village witch, Brunilda, to bring Franco back from the dead. La strega agrees, on three conditions: that he defend her honor whenever she is slandered, that he take full responsibility for Franco, and that he deliver her a bottle of his best, by hand, every day of his life.

The meat of the story is the next forty eight hours as Franco lives it up as much as an undead man can, Marco tries desperately to keep him in check, and Marianna grows furious with her new in-laws. And, always in the ombres, Brunilda, whose magic weaves through the tale.

Obviously, I love this story. I love the interactions between Franco and Marco and Marianna, I love how sardonic and self-aware (but still serious) Brunilda is. Most of all, I love the life in these lines, the sheer joie de vivre. It really does feel like Sonny Corleone is telling it over a couple glasses of wine, laughing at the funny bits and sometimes (like the requirements to put Franco back) laughing so hard he can barely keep telling it. It was an absolute joy to read just for the telling of it.

But the reason I’m highlighting this story is, ironically, the reason the next paragraph’s un-highlighted and in shadows.

(Spoilers ahead)

With fairy tale retellings or fresh tales, there’s an almost-obligatory twist ending. It’s why I don’t enjoy fractured fairy tales very much, because too many of them either contort the rest of the story around the twist, or the twist is an afterthought that falls flat. This Italian fairy tale has its twist ending – of course Marco loses Maria and his estate on account of his brother, that’s old as Aesop. The twist ending is just as expected: he becomes betrothed to the witch instead.

The neat part is what happens next: Marco isn’t happy. DiChario makes a point of describing his sunken cheeks, the loss of his good looks, his loss of will or verve.

Indeed, the narrative switches almost seamlessly into a discussion of witches, and this witch Brunilda in particular, and it ends as her story as Marco is subsumed into her own will. And maybe it’s always been her story, not Marco’s. A conventional twist ending on this kind of fractured fairy tale would be for Marco to discover that the witch was his fate after all, and that is not how DiChario plays it.

This is what made this whole amusing story keep bouncing around in my brain, days later, when the more serious stories were all muddying together. This twist on a twist and the way it really does make me rethink the entire tale up to that point. I don’t want to say it’s punching above its weight class, but it’s not what you expected of the ribald, funny story in this month’s issue, is it?

(End of spoilers)

Pick up a copy of F&SF this month because Sheree Renée Thomas knows her stuff, because other stories like Maiga Doocy‘s “Salt Calls to Salt” and Innocent Chizaram Ilo‘s “The City and the Thing Beneath It” are moving and well-done…but especially because “Animale dei Morti” calls to you like the call of the unquiet dead who want to sing and drink a little wine again before they go, no matter who they burn down.

Dancing in the Rain [Flash]

This is a little piece prompted by mon ami Lachlan Atcliffe. I’ve always liked Marybeth, and now I like her more.

Marybeth Delilah Potter loved the thunder, and she loved the rain. She loved it to every drone and cirrus, this wonder God wrought where clean, cool water fell from His sky, even onto the deserts of Arizona. Other kids at school pretended they were too old and too cool, but they secretly tilted their heads back when no one was looking to drink the rain that tasted like communion. Marybeth wasn’t too old to love the rain, and she knew it, but she waited until no one was looking anyway. Marybeth sometimes dropped her human seeming when she danced in the rain, when she threw her head back and drank her fill, and her drones shone purple-green in the lightning while her cirri writhed in the thunder-rich air.

That kind of thing could give the humans the wrong idea.

Besides, Mrs. Hutchinson wanted her foster daughter safe at home during thunderstorms, safe from flash floods and landslides, innocent that Marybeth could survive and even thrive out there. It was only a little naughty to sneak out into the rains to dance and drink and worship God, especially if she was back before morning so Mrs. Hutchinson wouldn’t know.

She was alone, up in the hills where no one would see. She felt no human presence, or dog, on her hive mind, nothing that drove shards into the Hum of psychic harmony she had brought with her from Home. But in the blackened rain, she felt something. Not the jagged shards of Earth minds, something …else.

Slowly, Marybeth Delilah Potter whirled back into humanoid shape, slipped her human face back into place, pink hands and pale cheeks. She stretched her awareness. There was nothing, nothing Earth-like in the rain, not even lizards or coyotes slinking away from God’s rain.

Could it be…?

At Home, the Hum had been her religion, and her foremothers before her. She had come to Earth alone, the only hive being in on this dry planet, the only being with the Hum inside her.

She felt something like the Hum out there, in the rain, in the darkness. A distributed mind, not all trapped and individual like humans. She Hummed in the rain, her thousand golden eyes closed to the darkness.

And Marybeth heard something she’d never heard before.

Marybeth felt dissonance in the Hum, and it nearly tore her soul apart.

She withdrew her awareness furtively, the thousand golden eyes snapping open. She saw nothing, heard nothing but the drumming of the rain and the roaring of the floods. Marybeth stood stock still as lightning tore the sky asunder, revealed nothing.

She’d read about demons and devils in her Bible, but Mrs. Hutchinson explained about metaphors and stories, explained to a frightened foster daughter that they weren’t real like the rain. Now Marybeth wasn’t so sure. God would never make a being that could sound a false note in the Hum, she was certain of that.

She reached out again with the one sense that had felt the …presence. Tentatively, with the psychic sense by which her drones shared sensation and thought, which made Marybeth Marybeth. Marybeth reached out with her soul.

She had to stretch to sense that…dissonance in the Hum now. Was it moving? Where was it moving to?

Her attention trailed down the darkness, down the slick hills, toward town and the school and an old farmhouse on Cuttle Creek Road where Mrs. Hutchinson nuzzled against Mr. Hutchinson as the rain pattered on the window.

She brought her attention back, reached out again. She felt that impossible dissonance again. It was definitely moving toward town, toward all those humans who had no idea what wrongness was coming. They could not feel the Hum, but Marybeth knew they could feel when it was wrong.

But she knew the Hum from Home, among her kin and all the creatures of the wide seas there. And she could make her memories and thoughts known through the Hum. This presence would hear her trumpet-blast.

As the rain splashed against her rubbery skin, Marybeth dropped her seaming. Her true face writhed. She would speak truth.

“Go.” She pushed out into the darkness, and it was all her memories and all her kin’s memories of flight, evacuation, separation. It rang in the Hum.

“I claim this planet. Mrs. Hutchinson is mine. Mr. Hutchinson is mine. The swim team are mine. This town and this place and this whole world is mine! I came from Home as last of my kin. They do not Hum but they have made me their kin anyway. I bear royal eggs and I will bear queens and my daughters and the sons and daughters of Man will share the bounty of God’s green and blue Earth in the days to come! They do not Hum, but they sing. And if you would harm even the least of them, you must go through me!

 The darkness did not answer. She reached out again.

A memory came to her, one of her own, one she shied away from into physical sensation of the rain on her flesh. A memory of salt in her wounds, when humans were cruel to her like they were cruel to each other, separated and alone.

She whimpered out loud, but stared up into the rain, a writhing mass of squidlike flesh in a modest green pinafore and no shoes. Marybeth drew from her great racial store of memory a fresh one, one which had happened to her, the one that hurt most.

“Leave! My! Planet!” Marybeth burst with the memory, the memory of leaving Home, crossing the Pane that separated Home from Earth, the Pane she could never cross again. Marybeth knew no stronger way to deliver her message, and doubted one existed.

The darkness trembled, but it could have been the rain. Marybeth waited in the darkness, praying psalms from her Book of Common Prayer as she slowly extended her awareness again.

Nothing out there but the jagged shards of Earth minds, separated and alone, and the quiet lonely Hum between her every drone.

She wondered if it had even ever been there, that unearthly dissonance in the Hum. If it was a trial of God’s to test her, or some strange madness covering her from too much pain and fear among the humans. Things like that had happened to her kin, and the suffering hives sadly eaten by their families.

Regardless, she was here, and it was not. She had left her planet and come here, among creatures that could not feel each other’s sensations nor hear each other’s thoughts. She’d left the Hum of her foremothers for the sound of the chorus singing hymns on Sunday.

Marybeth had come from Home, but Earth was her planet now. Her planet, her people, her God.

And soon, even the humans would know that.

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