R. Jean Mathieu's Innerspace

SF/F, sociology, some recipes. Updates every other Friday.

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Dancing in the Rain [Flash]

This is a little piece prompted by mon ami Lachlan Atcliffe. I’ve always liked Marybeth, and now I like her more.

Marybeth Delilah Potter loved the thunder, and she loved the rain. She loved it to every drone and cirrus, this wonder God wrought where clean, cool water fell from His sky, even onto the deserts of Arizona. Other kids at school pretended they were too old and too cool, but they secretly tilted their heads back when no one was looking to drink the rain that tasted like communion. Marybeth wasn’t too old to love the rain, and she knew it, but she waited until no one was looking anyway. Marybeth sometimes dropped her human seeming when she danced in the rain, when she threw her head back and drank her fill, and her drones shone purple-green in the lightning while her cirri writhed in the thunder-rich air.

That kind of thing could give the humans the wrong idea.

Besides, Mrs. Hutchinson wanted her foster daughter safe at home during thunderstorms, safe from flash floods and landslides, innocent that Marybeth could survive and even thrive out there. It was only a little naughty to sneak out into the rains to dance and drink and worship God, especially if she was back before morning so Mrs. Hutchinson wouldn’t know.

She was alone, up in the hills where no one would see. She felt no human presence, or dog, on her hive mind, nothing that drove shards into the Hum of psychic harmony she had brought with her from Home. But in the blackened rain, she felt something. Not the jagged shards of Earth minds, something …else.

Slowly, Marybeth Delilah Potter whirled back into humanoid shape, slipped her human face back into place, pink hands and pale cheeks. She stretched her awareness. There was nothing, nothing Earth-like in the rain, not even lizards or coyotes slinking away from God’s rain.

Could it be…?

At Home, the Hum had been her religion, and her foremothers before her. She had come to Earth alone, the only hive being in on this dry planet, the only being with the Hum inside her.

She felt something like the Hum out there, in the rain, in the darkness. A distributed mind, not all trapped and individual like humans. She Hummed in the rain, her thousand golden eyes closed to the darkness.

And Marybeth heard something she’d never heard before.

Marybeth felt dissonance in the Hum, and it nearly tore her soul apart.

She withdrew her awareness furtively, the thousand golden eyes snapping open. She saw nothing, heard nothing but the drumming of the rain and the roaring of the floods. Marybeth stood stock still as lightning tore the sky asunder, revealed nothing.

She’d read about demons and devils in her Bible, but Mrs. Hutchinson explained about metaphors and stories, explained to a frightened foster daughter that they weren’t real like the rain. Now Marybeth wasn’t so sure. God would never make a being that could sound a false note in the Hum, she was certain of that.

She reached out again with the one sense that had felt the …presence. Tentatively, with the psychic sense by which her drones shared sensation and thought, which made Marybeth Marybeth. Marybeth reached out with her soul.

She had to stretch to sense that…dissonance in the Hum now. Was it moving? Where was it moving to?

Her attention trailed down the darkness, down the slick hills, toward town and the school and an old farmhouse on Cuttle Creek Road where Mrs. Hutchinson nuzzled against Mr. Hutchinson as the rain pattered on the window.

She brought her attention back, reached out again. She felt that impossible dissonance again. It was definitely moving toward town, toward all those humans who had no idea what wrongness was coming. They could not feel the Hum, but Marybeth knew they could feel when it was wrong.

But she knew the Hum from Home, among her kin and all the creatures of the wide seas there. And she could make her memories and thoughts known through the Hum. This presence would hear her trumpet-blast.

As the rain splashed against her rubbery skin, Marybeth dropped her seaming. Her true face writhed. She would speak truth.

“Go.” She pushed out into the darkness, and it was all her memories and all her kin’s memories of flight, evacuation, separation. It rang in the Hum.

“I claim this planet. Mrs. Hutchinson is mine. Mr. Hutchinson is mine. The swim team are mine. This town and this place and this whole world is mine! I came from Home as last of my kin. They do not Hum but they have made me their kin anyway. I bear royal eggs and I will bear queens and my daughters and the sons and daughters of Man will share the bounty of God’s green and blue Earth in the days to come! They do not Hum, but they sing. And if you would harm even the least of them, you must go through me!

 The darkness did not answer. She reached out again.

A memory came to her, one of her own, one she shied away from into physical sensation of the rain on her flesh. A memory of salt in her wounds, when humans were cruel to her like they were cruel to each other, separated and alone.

She whimpered out loud, but stared up into the rain, a writhing mass of squidlike flesh in a modest green pinafore and no shoes. Marybeth drew from her great racial store of memory a fresh one, one which had happened to her, the one that hurt most.

“Leave! My! Planet!” Marybeth burst with the memory, the memory of leaving Home, crossing the Pane that separated Home from Earth, the Pane she could never cross again. Marybeth knew no stronger way to deliver her message, and doubted one existed.

The darkness trembled, but it could have been the rain. Marybeth waited in the darkness, praying psalms from her Book of Common Prayer as she slowly extended her awareness again.

Nothing out there but the jagged shards of Earth minds, separated and alone, and the quiet lonely Hum between her every drone.

She wondered if it had even ever been there, that unearthly dissonance in the Hum. If it was a trial of God’s to test her, or some strange madness covering her from too much pain and fear among the humans. Things like that had happened to her kin, and the suffering hives sadly eaten by their families.

Regardless, she was here, and it was not. She had left her planet and come here, among creatures that could not feel each other’s sensations nor hear each other’s thoughts. She’d left the Hum of her foremothers for the sound of the chorus singing hymns on Sunday.

Marybeth had come from Home, but Earth was her planet now. Her planet, her people, her God.

And soon, even the humans would know that.

On the Eve of the Nebulas

Tomorrow is the first day of the Nebula Conference.

When I signed up, I thought I’d be getting on a train today bound for Woodland Hills after requesting time off from work. I don’t have to tell you how much can change in two months. Now I’m testing audio equipment and my internet connection and teasing my friends about going to John Scalzi’s virtual dance party.

It took me some time to decide whether or not I still wanted to go. Especially when I couldn’t write for weeks, it made little sense to go to an SF/F writing convention. And while I am sad I can’t walk into the ballroom with a completed draft of Doña Ana Lucía Serrano …To The Future! in hand, I have started making progress again and made it to the place in my notes marked [CLIMACTIC BIG ENCHILADA BATTLE ROYALE WITH CHEESE].

So why go?                                                                                

Because at heart, it’s still a convention. There’s still a lot to learn from the panels and discussions, and you never know who you’re going to meet in the common areas. The focus on small groups in the common areas means we’ll be able to hear each other talk (at least, once I have my mike set up). And cons keep me in touch with what’s happening in SF/F publishing, and usually spurs me into action.

And if you’re coming too, come say hi to me! I’ll be at the following panels all weekend. If I’m not at one of these, I’m probably hanging out in the Vorkosigan Suite. See you there!

May 29
8:00-9:00 Crowdfunding for Authors
9:30-10:30 Being a Creative in 2020
10:30-11:30 Mentorship Meeting
2:00-3:00 Blades and Badasses
3:30-4:30 Managing Choice in Games and Interactive Fiction

May 30
8:00-9:00 Urban Development
11:00-12:00 Writing Multiply Marginalized Characters in SFF
2:00-3:00 Making Video for Authors
3:30-4:30 Spending Money to Make Money as an Indie Author
5:00-8:00 55th Annual Nebula Awards

May 31
8:00-9:00 The Landscape of Audiobook Production for Authors
9:30-10:30 Who and Where I Am
11:00-12:00 The Second Life of Stories
2:00-3:00 Moving the Line
3:30-4:30 Forming and Sustaining a Successful Writing or Critique Group

Doña Ana Lucía’s Prithvi Empanadas

Doña Ana Lucía’s Prithvi Empanadas

I have never been able to make empanadas quite so perfect as my mother’s, even with all those long monsoon afternoons helping her make batches on batches of them. However, I perfected a recipe of my own as a college apprentice that serves me in good stead now as a professor myself. I like to gather a small group of people interested in Latin culture together in my kitchen to make a whole batch together, with enough for everyone to take home.

My favorite filling involves some of the best of three separate worlds, with a nice tail of slig and golden Buddha-potato from Prithvi, lagoon-olives and sea vegetables from Parvati, and spices and velociraptor eggs from my native Sati. However, I have adapted it to what I believe the original Serrano recipe was on Earth, with Earth ingredients only.

Ingredients:
Pastry

  • 1L all-purpose flour (if you can’t find quatrotriticle)
  • 10mL baking powder
  • 5mL salt
  • 250mL olive oil
  • 250mL warm milk (cow will do, goat is better)
  • 100mL cornmeal, or enough to cover baking sheet(s)
  • 1 egg (to brush with)

Filling

  • 500g beef, ground or chopped to approximately 11mm (the size of one of Doña Ana Lucía’s iron slugs)
  • 1 onion, chopped
  • 250g cubed potatoes, boiled
  • 3 hardboiled eggs, rough chopped (duck eggs for more of a Devi flavor, chicken eggs for more of an Earth flavor)
  • 200g red and green peppers, chopped
  • 1 can of olives, chopped
  • 1 bulb garlic, minced
  • dash cumin
  • dash paprika
  • dash achiote powder
  • sprigs parsley

Instructions
Mix together flour, salt, and baking powder, then mix in oil and milk until dough forms a ball. Knead on cornmeal, then let stand 30 minutes. Open can of olives, drain, transfer olives to rice bowl. Boil potatoes.

Fry the beef with the garlic and onions in a little olive oil until onions translucent, then add potatoes, cumin, chili, achiote, red and green peppers, and enough potato water to cover. Cook, covered, until the meat is tender. Take off heat and add parsley, olives, and chopped hard-boiled eggs.

Roll out dough with pin until 5mm thick, then cut out circles with wide-mouth olives can. If too large, cut into working pieces first. Preheat your oven for 180*C. Take each circle, ladle a generous helping of filling in the middle, fold over and fold it repulgue-style with your fingers. Brush with the egg to help seal and set a shiny finish, then lay on a cornmeal-lined baking sheet. Repeat until you run out of either filling, dough, or baking sheets.

Bake at 180*C for 15 minutes or so, or until the scent drives your blood to unspeakable things. Enjoy with crisp dry rice lager or sips of good rum.

Many Returns

Bonjour, everyone.

This is a short note to let you all know that yes, I’m still alive. However, I got hit with the SIP order in early April and barely had time to get my equipment home from the office before I found out I was laid off (along with half my team at work). I know I haven’t spent the worst SIP by a long shot, but the one-two punch has had nasty effects for my mental health. I was unable to even write for most of the month. It’s still difficult now.

It’s for that reason I’ve had to cancel the rest of the short fiction ratings up until the Nebulas. As of this moment, there isn’t the time nor, honestly, the spoons to do those novellas and novelettes justice. I have decided to attend the (online) Nebulas, and am trying to put back together all the things that fell apart in April…including my blog and Patreon.

So, stay tuned to this wavelength.  There’s many more futures to come.

– Roscoe

The Mathieu Hat Trick

Today, I did the hat trick.

Not that hat, though that hat is awesome.

A hat trick, according to The Guardian, was when the cricket club would present a member a new hat upon completing three wickets in one game. I originally heard it in terms of hockey, when a player scored three goals in a row. But my hat trick has nothing to do with sports.

I don’t remember when I started calling it that, but I’ve been calling it that ever since. For me, a hat trick is a day with three, very different, accomplishments in it:

  1. 10 minutes of waiting worship
  2. 1,000 new words
  3. 3 Sanchin kata

If you’re a little confounded by these, let me break them down.

10 Minutes of Waiting Worship

As a (Liberal) Quaker, my worship of God and awareness of the Presence do not involve set prayers, or songs, or pew aerobics. Some folks, even some Friends, find  these things bring them closer to the Light, and I’ve sung for joy or repeated a mantra before. But the beating heart of my religious life is sitting in silence among Friends on Sunday morning, praying stillness into my soul so that I can hear, and heed, the still, small voice of God. Outsiders call it silent worship, but among Friends, we call it waiting worship. It’s not so much that we are silent, as that we are waiting for God and waiting on the Presence of God among and between us.

The early Quakers had a practice of retiring daily, or as often as possible, which I understand to be a Friends’ Meeting “in good order” that happens to have only one Friend in it. Each Friend sits down, settles down, and centers down, letting God’s Light illuminate them and enlighten them. Not quite meditation, not quite prayer, it seems to be the Quaker experience par excellence. And I do not retire nearly often enough.

1,000 New Words

Jack London (my problematic patron saint) called it his stint. Ray Bradbury sat down on Monday and wrote a few thousand words of new story, editing Tuesday and submitting Wednesday, every week for most of the 1950s. Stephen King cruises on about 1,200 a day.

And like these working-men before me, I lay down 1,000 more words on my latest project (or blog post) before I can rest for the day. Edits don’t count, research don’t count, revisions only count if I add a scene or a character. It’s laying down raw first-draft wordcount, the most sacred of writerly tasks, the holiest of holies. Everything else is just publishing.

It started out as a minimum bar to keep my production up. It’s become so much more. I used to think of the words of my stint as like rail, something we lay down and leave behind, always moving forward. Now I think of the thousand as ballast, weight laid by my keel that makes me more stable and better able to weather high seas and sudden storms. I am happier and healthier each day I meet my stint, and exactly the reverse the days that I don’t.

Of the three components of my hat trick, I easily hit 1,000 new words more often than I hit 10 minutes in waiting worship or 3 sanchin kata.

3 Sanchin Kata

If you practice Uechi-ryu karate, this is self-explanatory. If you don’t practice Uechi-ryu but practice karate, you might know what a kata is, but not know Sanchin. If you took one look at that and said “can you eat it?” then read on.

Kata (or, in other martial arts, forms) are the set solo practice exercises used to teach technique in East Asian martial arts. If you’ve ever seen old people in the park doing t’ai chi, they’re all doing the same form (probably Beijing 24-Step Form). Individual karate styles are strongly defined by their kata, which kata they teach and how they practice. My tradition, Uechi-ryu karate (Uechi family style), rests on a kata called sanchin or “the three battles.” Here is an Okinawan grandmaster showing us all how it’s done.

Sanchin has acquired a semi-mystical status and no small amount of superstition. Master Uechi himself often said “all is in sanchin.” At my dojo, growing up, we did one each of the other eight kata…

…and three sanchin.

To do three sanchin requires going through the other five Uechi-ryu kata that I know, stretching, probably also doing my daily core regimen. At the gym, I might even play with the kettlebells or dance or hit the heavy bag. But if I accomplish nothing else physically, all is in sanchin.

Bringing It All Back Home

Straightforward enough, but it’s become more over the years. I mentioned how writing ballasts me. Extending the nautical metaphor, writing is ballast, sanchin is maintenance, and waiting worship is trimming the sails. “I laid down a thousand words today” is so many pounds of ballast along my keel, weighing and centering me, allowing me to weather storms that should otherwise have tossed me over. But it’s ballast of grain or sawdust, and soon grows sodden and slips away, and I have to lay more down. Sanchin is maintenance, the bo’sun’s trade, tarring line, scraping barnacles, mending sails, making baggywinkles. In port, I can work deeper, but even out at sea, I can lean her over and scrape away all the barnacles that built up as long as there’s a sand drift that’ll hold her …but however I do, I need to keep ship-shape and Bristol-fashion. Waiting worship, though, is easiest to understand: it is to find the prevailing winds from God, and rather than fight it, adjust my sails to better work with wind and water to get where I need to be.

Days I do the hat trick, I feel balanced, well-kept, and agile. I feel the most R. Jean Mathieu I can be, like I’ve lived up to some inner standard. Do you have anything like that? Some task or series of tasks that make you feel the most yourself? Tell us about them in the comments!

Now, if you’ll excuse me, I need to center down and listen for the still, small voice…

Letters from the Future

Over on the NaNoWriMo forums, we had a prompt to write a letter FROM one of our characters to us during quarantine. I chose everyone’s favorite aristocratic Latina space archaeologist, Doña Ana Lucía Serrano, and here’s what she had to say…

M. Mathieu,

You and your peoples have built for us, your children, a utopia. Plagues here are contained within hours, tamed and woven into the ecosystem around them. Quarantine is a matter for ships and domes, in some tragic cases for cities. The worst I have seen in my life was the Crisis of Prithvi, and even then, mate could reach out to mate and clasp hand, shoulder, cheek, lip.

I suppose it would be declassé to ask for your experience and feelings, even for anthropological science.

These “are the days worth living for,” as your Edith Keeler says. And they are indeed coming, the days when the deserts bloom and the hungry are fed and their diseases cured, and all souls share hope and a common future. Even now, the people of Earth are clever and kind, and can solve their problems as long as they retain hope that problems can be solved.

And where human talent alone will not do, there is the bounty of nature…a partner with you, not an enemy. You know this: your sourdough bubbles on the table, your cabbage becomes sauerkraut, and your first instinct when cooped up at home was to plant a garden. To plant a garden, to raise seeds to be planted out of doors in a few short weeks! I do not need to spell out the metaphor for you, writer, or my admiration of the hope it suggests in you and all my ancestors. Fungus, plant, animal, and human are all family together, and they are more than willing to help us if we help them. We are earthclan, we all live in abundance together, or all die alone.

Ah, does it all seem so large? Yet the plague is so small, a microscopic machine that is almost alive. And in weight, it and its rancid cousins weigh half the beetles of the world, that’s all. But only remember your L’Engle, and her lights. Every small victory against the darkness is a victory for light. Every strike for human potential and earthclan harmony are strikes toward the future. Your worlds upon worlds of community gardens are not so far off. Only practice your hanzi, practice your karate, water your plants, ranch your yeast, love your wife, and ask “let me help” (as Allende de Mars so beautifully said).

Use this crucible to forge the things you could not before. Begin training at home, begin making cheese, begin a systemic course of reading. I care not what, only narrate it to me as you can.

Because out of such buds do blossom the days worth living for.

Je t’en prie…

Doña Ana Lucía Serrano y Veracruz

2020 Nebula Nominees: Short Stories (part II)

Here are the final three stories nominated in the Short Story category. Part I here. Now, we look in the face of storms, go back to the worst of the British Raj, and walk the stacks of alien libraries. Stick around to the end, where I unveil my favorite.


And Now His Lordship is Laughing
Shiv Ramdas

As a rule, I don’t particularly like “wrong and revenge” stories. Death Wish lingers way too long on the horrors of the wrong and then on the horrors of the revenge, and it’s not the only one by a long shot.

But I like this one.

The wrong: The British “Denial of Rice” policy, which was sadly and horrifically real.

The revenge: A doll.

That’s really all you need to know to know why you need to read this story. It navigates the narrow line between the two extremes of this kind of revenge story, it neither forgives its offenders and tries to make them somehow likable, nor does it fetishize either the violence each side does. It doesn’t shy away from it either, the list of trigger warnings is half as long as my arm, but it describes the grim details without lust in its voice. I hammer on this because so, so, so many revenge fantasies fail this, and then you have to shower afterwards.

Instead, “And Now His Lordship Is Laughing” contributes to the ongoing conversation about the British presence in India, especially during World War II, and whether or not they were as bad as the Nazis and fascists they opposed. I can’t weigh in on this conversation, except to say the British in this story are not doing themselves any favors there. But this story is every bit as engaging, and troubling, as Harry Turtledove’s “The Last Article” or Orwell’s obituary of Gandhi.

You should read it.

Moon Phase:
Gibbous

A Catalog of Storms
Fran Wilde

I won’t lie, I didn’t like this story much at first.

I mean, the opening line is excellent:

“The wind’s moving fast again. The weathermen lean into it, letting it wear away at them until they turn to rain and cloud.”

A Catalog of storms

That’s some “clocks were just striking thirteen”-grade opening material.

But that seemed to be where this particular cli-fi/fantasy stopped. Characters came and went, we danced between lists and narrative, it was very emotional, but it just didn’t seem to go anywhere, even when it finally went somewhere.

So what changed my mind? The power of names, and how Fran Wilde uses them, the way A. C. Wise did with titles in “How the Trick is Done“, only more developed? The weird, off-kilter, Bioshock: Infinite air? Or maybe just the power of that opening line?

It was the way I kept hearing snatches of narrative, a day later. The way I could see Lillit go in my mind several days later. The way I started making lists of social and spiritual storms as my prayer beads sat to one side.

Good stories stick with you. Good stories stick with you long after the title and author have fled your mind, so much detritus in the wind and weather. I don’t particularly like this story, still, but I have to admit it is a good story.

Moon Phase:
Quarter

Give the Family My Love
A. T. Greenblatt

I’ve saved this one for last, because I think this story is going to win the Nebula. It sure as Hell deserves it.

It’s an epistolary little tale, all one-sided, from Hazel “the last astronaut” to her brother Saul (and his wife Huang) as she treads across a barren planet and into an alien Library. She talks about the barren planet, and about the aliens, and about her research, and about the information she’s looking for and why.

She also talks a lot about how badly humanity has doomed itself, because she’s an anthropologist and has read a lot of history. She watched the Great Plains burn and the Pacific Northwest with it. She’s the last astronaut, not because she wants to, but because she was the only one qualified and because there’s not enough resources for astronauts. She doubts whether there’ll be resources for a government in the near future.

And she talks about hope, because in the end, that’s what this story is about. Whenever anyone talks about ‘hopepunk,’ they can refer to this story as their Exhibit A. It treats Saul’s hope as a subversive stance, Hazel’s pessimism as the only sound and sensible approach. We don’t get to hear Saul’s side, but we hear his influence, feel the shadow of his long arm.

And in the end, it might just save the world. Might. Ya gotta have hope.

And, honestly, it’s stories like this that made me read science fiction in the first place.

Moon Phase:
Full

Next time: Novelettes, the forgotten length. Tune in next week, same time, same channel!

2020 Nebula Nominees: Short Stories (pt. I)

We’ll start off the Nebula nominee reviews with three of the short stories, ranging from a threadbare-elbow tale of Las Vegas to Edwardian schoolgirl cannibals to blood-stained generation ship cathedrals.


How the Trick is Done
A. C. Wise

This first story on my Nebula reading list is a strange one. It seems to take place on a Vegas on the edge of the horizon, slightly tilted, slightly too real to be real, a Vegas where Resurrectionists bring potted plants back to life and Assistants falling off the Hoover Dam grow sequined wings and, most importantly, where titles have power.

The story is how the Magician died, how the Magician’s Girlfriend/the Resurrectionist, the Magician’s Stage Manager, the Magician’s current Assistant and the Magician’s former Assistant all play a part in it. “How absurd,” the narration notes as two of them first meet, “that they should define themselves solely in relation to the Magician.” These two have had names for some time, but as they introduce themselves, their titles fall away. Similar moments of transformation happen for everyone, except the nameless rabbit called Gus (and his lack of a name is important) and the Magician himself.

Watching the way Wise played with titles and names, names and titles, who’s called what when, was its own delightful little magic show. And I thank her for breathing new life into a whole set of tired old tropes about ledgerdemain, making something new of them. I’m sure Meg and Becca, in particular, would appreciate that trick.

Moon Phase:
Crescent

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island
Nibita Sen

I remember reading this little gem when it came out last May, I was quite pleased to find it the same story that I remembered. A ghoulish academic summary revolving around distant Ratnabar Island and an unspeakable supper in a girls’ boarding house in rural England, Nibita Sen has a keen awareness of how close academia and cannibalism really are.

On this read-through, I noticed how interesting it was to watch the names and narratives change over time, and watch the Gaurs start elbowing their way back into their own story amidst Rainiers and Cliftons and Schofields. And my God does Sen command the tones! I could place each excerpt’s academic era within a sentence or two, each one distinct and ringing true to its sources. And everyone, from the Angloest Anglo to the Gaur cousins, wants to take Regina Guar and the never-explicitly-stated Churchill Dinner, and carve them up for themselves, for their theories and their narratives.

One has the rather sickening feeling, afterward, that one has just seen the Churchill Dinner all laid out with ten separate diners all commenting on the delicacy of the meat.

It is a delicious sensation.

Moon phase: Quarter

The Dead, In Their Uncontrollable Power
Karen Osborne

At first, I thought I was reading a fantasy story – a cathedral, a sin-eater, a cup of sin and a cup of virtue, a dying cleric, and a bomb. But it quickly became clear that we were cooped up in one of science fiction’s hoariest of hoary stock plots: the generation ship gone bad.

But the trappings are just that, window-dressing for the two cups, the cup of virtue and the cup of sin, and the two women who drink from them: the captain, and the sin-eater. The one contains all the dead captains’ fine and regal memories, desires, impulses, the other all their…well, all their sins. All the slain mutineers, all the spaced excess, all the foul deeds decided. And Karen Osborne would like you to take a minute and consider what the souls of the unquiet dead can do to people. Especially their virtues.

What I love about this story is how Osborne twists the ending. You know how this story is, you’ve seen it a hundred times on the news and a thousand times in fiction. You can already smell the iron tang and viscera. And Osborne barrels down toward that fetid, horrifying climax…and what she does instead made me cheer.

Read it, if only to see for yourself.

Moon Phase:
Gibbous

Didn’t see your favorite story? Part II is here, including my choice for this year’s Nebula-winning short story.

Moon images courtesy of Emoji One.

500 Followers and a Free Book!

Wow.

Seriously, wow.

On January 1st, I did not expect to have 500 Twitter followers by the end of the year, much less by March 6th! But as of @svnsxvi Thank you all for your follows and for your attention.

And, in thanks, I’m offering everyone a present.

Courtesy Melissa Weiss Mathieu.

I’m giving away free copies of my Kindle short, “Hull Down”, from now until Thursday. All you need to do is head to Amazon, search for “R. Jean Mathieu” and grab your free Kindle edition.

(While you’re there, you could even follow me on Amazon!)

So what’s it about? I’ll tell you:

“The room pulsed around him, its fetid breath almost palpable even through the helmet. The bodies of Commander Wu Suzhen and Major Sam Harris were woven into the wall, a superimposed lovers’ embrace developed in resin and red light. Their shapes were fuzzy; the inside of Matt’s helmet sticky with condensation like his hair was sticky with sweat. His inner ear couldn’t find north or down, his eyes stung and he could taste something salty, but whether blood, sweat or tears, he couldn’t tell.

Why did you live?”

From “Hull Down”

Pvt. Matthew LeWald is surprised when a Navy officer leads his Marines on the Search and Rescue operation. He’s even more surprised to be the only survivor of a mission gone disastrously wrong, when better men than him died left and right. Why did he live? But there are stranger things afoot than war, things like love and things like enlightenment.

The reviewers are saying it’s “not your Dad’s military SF” and calling it “strange [and] haunting.”

Whether you’ve known me for years or just followed me yesterday, this is for you, and you have all the way until Thursday, March 12th to claim it.

Thank you again for the follows. Here’s to 500 more.


PS – If you still can’t get enough of my work (and yay!), there’s still time to become mon patron in time to see the teaser for “Doña Ana Lucía Serrano y la Caja de Venuswood (Lady Ana Lucía Serrano and the Venuswood Box)!” Just head over to Patreon and sign up for the price of a cup of coffee per month.

2020 Nebula Nominees: Mathieu Takes the Nebulas!

Well, takes on might have been more accurate…oh well. Because that’s right, R. Jean Mathieu is going to the Nebulas!

For those of you just tuning in at home, the Nebulas are the professional award of science fiction, SF’s version of the Oscars, given each year by our union, the Science Fiction & Fantasy Writers of America. The Nebulas rival the Hugos for prestige, and this year they’ll be awarded in Woodland Hills, CA on May 31.

Like WorldCon two years ago, I’ll be going for professional reasons, but keeping my eyes open to wonder and strangeness. And in the countdown to May, I have something for you. Here, at Tor.com, is the complete list of Nebula nominations (including the special awards for YA, media, and game design).

Everyone is gonna be issuing their reviews of the novels. Everyone. But you folks know me, you know how I feel about short fiction. So in the leadup to the Nebula Conference, I’ll be reviewing all the short works of SF, all the nominees for Short Story, Novelette, and Novella. When and where able, I’ll link you directly to the story, otherwise, to the Amazon.com or publisher page.

In addition to crowning my choice in each field to win their respective Nebulas, I’ll be rating each story on its merits, measuring in moons from new to full.

Stay tuned as the reviews for your favorites go live! Which one will win? Which one will I push? You’ll just have to find out.


Short Story
“Give the Family My Love” – A.T. Greenblatt (Clarkesworld)
“The Dead, In Their Uncontrollable Power” – Karen Osborne (Uncanny)
“And Now His Lordship Is Laughing” – Shiv Ramdas (Strange Horizons)
“Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island” – Nibedita Sen (Nightmare)
“A Catalog of Storms” – Fran Wilde (Uncanny)
“How the Trick Is Done” – A.C. Wise (Uncanny)


Novelette
“A Strange Uncertain Light” – G.V. Anderson (F&SF)
“For He Can Creep” – Siobhan Carroll (Tor.com)
“His Footsteps, Through Darkness and Light” – Mimi Mondal (Tor.com)
“The Blur in the Corner of Your Eye” – Sarah Pinsker (Uncanny)
Carpe Glitter – Cat Rambo (Meerkat)
“The Archronology of Love” – Caroline M. Yoachim (Lightspeed)


Novella
“Anxiety Is the Dizziness of Freedom” – Ted Chiang (Exhalation)
The Haunting of Tram Car 015 – P. Djèlí Clark (Tor.com Publishing)
This Is How You Lose the Time War – Amal El-Mohtar & Max Gladstone (Saga)
Her Silhouette, Drawn in Water – Vylar Kaftan (Tor.com Publishing)
The Deep – Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga)
Catfish Lullaby – A.C. Wise (Broken Eye)

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